Morgan's Confederate Cavalry being in the vicinity, Union General
Reynolds was ordered to raise all the horses and saddles available, and
if these could not be procured, he was to impress into service his
mules without saddles. To
witness the antics of this improvised Cavalry by mounting Infantry
Regiments on army mules and plug horses with and without saddles, was
an amusing sight! The performance reminded the writer of the stanzas in
Cowper's poem of John Gilpin:
"John Gilpin at his horse's side Seized fast the flowing mane, And up he got in haste to ride, But soon came down again.
Now see him mounted once again, Upon his nimble steed. Full slowly pacing o'er the stones With caution and good heed.
But finding soon a smoother road Beneath his well-shod feet, The snorting beast began to trot, Which galled him in the seat."
The
mules, when mounted, seemed to be in a highly exhilarating frame of
mind, with heels of a vigorous and decidedly skyward tendency, which
created great amusement in the camp. They seemed determined to make the
groups of soldiers, who were looking on at their pranks, get out of
their way, by backing up to them, with their long ears moving backwards
and forwards like a windmill, and their tails as stiff as pokers,
letting their hoofs fly at them. One of the men, who had been thrown
off, fired with ambition to display his prowess over his mule, ran in
front of the animal and took a defiant position to seize him. The mule,
undaunted, came dashing on, putting one ear back and the other forward,
then reversing the movement, with his tail standing straight out. The
soldier's courage failed him, and he beat a sudden and inglorious
retreat. As he ran, followed by the mule, the scene was ludicrous in
the extreme. Hundreds of soldiers, who witnessed it, were convulsed
with laughter.
Nevertheless with all these disadvantages and encumbrances, we "fought Morgan like the devil."
Speaking
of mules, reminds the writer of a little incident of army life, which
may not be out of place to insert here. An army Chaplain, frequently
shocked by the profanity of mule drivers, resolved, if possible, to
lessen it by the offer of a fine Bible to every one who would "drive a
mule team four weeks without swearing." Having published the offer, and
completed satisfactory arrangements with the U.S. Christian Commission
for a liberal distribution of the Sacred Volume among a needy class of
sinners, the Chaplain sat down in his tent to wait for applicants. The
crowd of applicants, which he expected, did not arrive. Only one man
applied and he was a Dutchman. When questioned on he subject, the
Dutchman gave it as his opinion, that by nature no man was able
to do it, but by the grace of God alone mules could be driven without
oaths. Here is the Dutchman's solemn affirmation, in his own words,
which is vouched for by a certificate from his Captain: "Dish ish to
serdify, dat I have triven a mule deam foar veeks widout brofanity."
The man received the premium, and no doubt deserved it.
Speaking
of Chaplains, the writer is reminded of another army incident. With all
the hardships and vicissitudes of army life, a certain Chaplain could
not eradicate the oddity of his genius. He was a fine singer, and
played well upon the accordian. He was the spiritual adviser of a wild
Western Regiment, and his unselfish and hardy nature won their hearts
by telling the boys stories and singing them funny songs. John Morgan
captured him in the Cumberland Mountains. The Chaplain, in relating the
circumstances afterwards, said: "It looked pretty solemn when they
began to cast lots to see who should inherit my horse." But the
Chaplain took his little accordian and began to sing and play for dear
life. All the droll songs that were ever invented, this doomed captive
sang to the bushwackers of Kentucky. "I think I ought to shoot you,"
said Morgan; "a fellow that keeps up men's spirits as you do is too
valuable to the Yankees for me to let off." But let him off he did.
Nobody could shoot such a happy combination of goodness and drollery.
Once
after a battle, a church was turned into a hospital, and the wounded
and dying lay all up and down on the floor. It was a blue time, when
men were dying not alone of wounds, but of despair, which was like an
epidemic in the atmosphere. The Chaplain, seeing how fatal this
despondency was proving itself to be to the men, walking up into the
pulpit, planted his little accordian on his knees and struck up "The
Girl I Left Behind Me."

Sunlight at once came into the despondent hearts with the rich melody
of the Chaplain's voice and the humor of his song. The Surgeons of the
hospital took heart, and life seemed to come back to the wounded and
homesick boys.
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